Foundation myths, whether of nations,
dynasties or cities, have been at the heart of western culture since classical
times. Europe’s archetypal national foundation myth was the subject of Virgil’s
Aeneid. Present in Virgil’s poem are three key elements which appear
repeatedly in western foundation myths: the wanderer/outsider making good; the
foundation prompted by divine prophecy or visions, and the planting, by the ‘chosen
people’ of their new (and often superior) culture in a foreign land. Most medieval
states, cities and dynasties were comparative newcomers, and many sought to
obscure their uncomfortably recent origins in a cloud of myth.
Troy provided the ideal means to do
this. In medieval England, the Trojan myth received perhaps its most elaborate
and fantastical development. The original source for the English tradition was probably
the 9th century Historia Brittonum, (Pseudo-Nennius). This
original story was greatly expanded by Geoffrey of Monmouth who begins his own work
with an account of Brutus, or Brute, Aeneas’s grandson, who is expelled from
Italy with his followers, and wanders the Mediterranean. In a vision, the
goddess Diana tells Brutus that his destiny is to lead the Trojans to an island
in the west, where he shall found a race of kings. Brutus eventually realises
the prophecy, founding Britain, and supplanting its primitive native giants.
Thus, Brutus’s tale exhibits the ‘Virgilian’ topoi of the outsider,
divine intervention and colonisation.
Brutus of Troy, represented here as founder of London |